Since the series of releases that comprised 2012's Trilogy, he's gained a reputation for lascivious lines and bitter, scornful kiss-offs that flirt with (if not wholly embody) the type of misogynistic chauvinism gleaned from an episode of Entourage. "I just signed a new deal with Mercedes," he keens over that track's ping-ponging atmospherics - a shallow note of reflective braggadocio that unintentionally highlights the chief weakness of After Hours as well as Tesfaye's songwriting as a whole.
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